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AlpTextyles: Writing
the Alpine Landscape

At the 41st edition of Milano Unica, intangible heritage reshapes the textile industry of the Alps


There are regions where craft and landscape merge until they become a single, living story. In the Alps, this story is spun from wool fibres, dye plants, gestures repeated by hand, tales whispered by shepherds and reimagined by designers together with local artisan hands.

Here, AlpTextyles finds its roots: not in nostalgia for the past, but in the conviction that the intangible cultural heritage of Alpine communities — that subtle knowledge kept alive in spoken words, craft skills, seasonal rhythms — can still offer forms of resilience for a textile industry seeking to reconnect with place.

Launched in 2022 within the Interreg Alpine Space Programme and supported by the European Union, AlpTextyles brings together twelve partners from Austria, France, Germany, Italy, Slovenia and Switzerland. A diverse network that ranges from local cultural hubs like Polo Poschiavo and Stand Montafon, to the territorial development agency Razvojna Agencija Sora in the municipality of Škofja Loka, to research institutions such as ZRC SAZU (Research Centre of the Slovenian Academy of Sciences and Arts), FAU Erlangen-Nürnberg, Istituto Marangoni in Milan and emlyon business school. Completing the picture are the French textile innovation cluster Techtera, the Swiss centre Mediplant, which explores the potential of plant-based dyes, and the Italian communication design studio Bellissimo — alongside industry voices like Confindustria Moda and regional authorities including Regione Lombardia.

Their shared horizon is clear: to rethink the use of local resources and address climate change by weaving together research, community engagement, training and design practice. Native pastures in high-altitude meadows, rediscovered flax and dye plants, spindles and looms: a toolkit for circular value chains rooted in place.

From the start, the project has mapped the current state of Alpine textile practices — tracing how local knowledge, aesthetics and industry intersect today. From this foundation, pilot actions have crossed borders: felting workshops in Škofja Loka, the Brächete flax festival in Val Müstair, the Cultural Transhumance that winds through Valle Camonica every May, the Alpine Icon Summer School in Monno. Each stage has invited communities to rediscover craft as a living method of resilience and continuity.

In July, AlpTextyles will welcome visitors to Milano Unica (8–9–10 July) with a stand conceived as a tactile landscape: raw wools, contemporary design pieces, textile artefacts, natural colours, weaves, stories.

An exhibition printed on textile panels will guide visitors through the main stages of the project — from research on local value chains to consumer insights, from community engagement to technical innovation and collaborative design.

The fabrics become narrative surfaces, light and evocative, in line with AlpTextyles’ visual language. Alongside, a digital area opens the door to the AlpTextyles Metaverse, an immersive environment where landscapes, fibres and craft knowledge are reimagined through interactive experiences.

Visitors will also have the chance to preview the AlpTextyles MOOC a free, open-access online course designed to share sustainable, circular, heritage-based practices with students, professionals and communities. Completing the space, the Meeting Zone invites guests to pause, browse materials, scan QR codes and talk with those shaping this shared story — a place of exchange for buyers, designers, journalists and curious visitors.

The Narrative Labels, soon available for artisans and businesses, will carry this weaving forward: small stories stitched into each product, signs of a collective commitment to rethink the Alpine textile chain as a place of connection and possibility. A label that opens a door into the genius loci — a world both ancient and new at once.

Each Narrative Label also bears the Intertwining cultures mark: twelve threads and mountains on the left, the green weave on the right — a visual sign that reaffirms, on every piece, the living bond between places, communities and the future.

A few days later, at Confindustria Moda, the project will gather voices from Alpine SMEs, cultural institutions and young designers to reflect on how tradition and innovation can co-create regional value chains that are not only economically sustainable but also culturally rooted.

And this is only one stop along a longer path. In May, the second edition of the AlpTextyles Community Festival took place in Valle Camonica: three days of textile art, workshops, encounters and the Cultural Transhumance as a symbolic gesture, with flocks, craftspeople and citizens tracing paths that cross meadows and generations. In August, the AlpTextyles Living Experience will travel to Slovenia, weaving heritage and contemporary art into a site-specific installation for the Bjen Biennale and a travelling workshop along a special railway route. In October, the project will arrive in Lyon for its Business Day — designed for SMEs eager to experiment with what it means to translate local craft know-how into market strategies, policies and new alliances.

Perhaps this, in the end, is what AlpTextyles leaves us with: the idea that the genius loci is not a still image but a weave of time, hands and stories that rewrites itself each time an ancient gesture meets new knowledge — an intertwining of cultures.

A thread that does not break but renews itself — season after season, step by step — across these mountain landscapes where textiles become, once again, matter, community, possibility.